The last day of class, instead of having the potluck that my students were probably hoping for, we did a very quick analysis of the book we had just finished reading (Farewell to Manzanar) using Gee’s NIDA identities.
To briefly summarize what those are:
N-identity (nature identity) is the part of identity which is supposed to come from nature. It often includes visible traits like gender and race and the palette of traits and abilities that are thought to stem from them. As the Rachel Dolezal controversy shows, what is N for some people is I or A (see below) for others, and people can be quite unforgiving when they think an N characteristic is being wrongly taken on or rejected. My students were astute in noticing that even N identities change when the people around to perceive and interpret them change – the main character in Farewell to Manzanar has different N-identities when surrounded by other Japanese-Americans than with other Americans..
I-identity (institutional identity) comes from institutions of which one is part. For example, my ability to pass as a teacher comes mostly from my employment by schools, and not many people would accept the legitimacy of a “teacher” identity without it. It can be fun to imagine which kinds of jobs require institutional recognition to be considered a legitimate claim to identity – to me, “artist” is not an I-identity, but “animator” is. “Philosopher” is not an I-identity, but “researcher” is. My students said many characters in FtM lost their I-identities (in most cases, fishermen who worked together) when they were forced to move into the camps.
D-identity (discursive identity) comes from interactions with other people wherein one comes to be known as a certain “type” of person. This tracks what most people call a “personality”, but unlike “personality” has no implication of permanence. That is, one can have different D-identities among different groups of people. The Papa character in FtM is a bit of a stereotypical alpha in the way he interacts with others, which shifts from comforting to ironic as his life circumstances change from independent businessman to unemployed drunk.
A-identity (affinity identity) is similar to I-identity in that it relates to larger social groups of which we consider ourselves part. Unlike I-identity, A-identity doesn’t require any kind of actual membership in a group, only affinity for it. One can have an A-identity as a Premier League fan without any formal affiliation in the form of membership in a team or fan club. Notably, and as some of my very clever writing students mentioned, A-identity can be almost entirely imaginary – Papa from FtM imagines himself to be the inheritor of a samurai legacy, although the samurai ceased to exist before he was born and are well on their way to being more a cultural trope than a social class at the time the story takes place. One student mentioned this aspect of A-identity in a presentation, which was a great example of critical thinking.
What I like about these categories of identity is that they make clear both that identity is a multifaceted and context-dependent phenomenon and that it depends on other people and society. That is, you can have multiple identities, and none of them are purely a result of you choosing the type of person you want to be after doing some deep thinking alone or “finding yourself”.
My students did a very good job applying these on short notice to a book they’d probably grown quite sick of on a day when many people were already mentally on vacation. What they said reminded me of some things I’d been seeing on Netflix recently.